| CONTENTS |
|
| Essays:Creative
Work |
|
| The New World Order |
Harold
Pinter |
- The Embrace of Silence: Pinter, Miller
and the Response to Power
|
Bernard
F. Dukore |
- Voices in the Dark: The Disembodied Voice
in Harold Pinter's Mountain Language
|
Ann
C. Hall |
| Victory: A Pinter Screenplay
Based on the Conrad Novel |
Christopher Hudgins |
| An Italian Kind of Alaska |
Margaret Rose |
| Americal Football |
Harold Pinter |
| Notes |
|
| Satire on Television: The Basement
and The Tea Party |
Kimball
King |
| A Minimalist Approach to Directing
The Lover |
John
Lingard |
| Production: Notes and Reviews |
|
| A Kind of Dance, A Kind of Drama:
Three Works by Stewart Pimsler Inspired by and Produced for
the International Pinter Conference |
Ann
C. Hall |
| Betrayal |
Stanton B. Garder,
Jr |
| The Caretaker,
Thirty Years On |
Gerald
M Berkowitz |
| The Hothouse: A Dialogue
Between Director and Critic |
Stephen
Gray and Francis Gillen |
| From London: Harold Pinter 1991 |
Ronald Knowles |
| Party Time and Mountatin
Language |
Katherine H. Burkman |
| Book Reviews |
|
| Harold
Pinter: Life ,Work, Criticism by Penelope Prentice |
Brian
Richardson |
| Bibliography |
|
| Harold Pinter Bibliography, 1990-1991 |
Susan Hollis Merritt |
