| CONTENTS |
|
| Essays |
|
| Correcting the Space: Scenic
Negotiations in No Man's Land |
Stanton B. Garner,
Jr |
- Ambiguity, Identity and the Violent Struggle
for Dominance in The Birthday Party
|
Penelope
Prentice |
- Harold Pinter, Citizen
|
Ronald
Knowles |
| "I Decided She Was":
Representation of Women in The Homecoming |
Debra A. Sarbin |
| Notes |
|
| The Rhetoric of Evasion as Political
Discourse: Some Prelimiaries on Pinter's Political Language |
Elizabeth
Sakellaridou |
| Harold Pinter in New York |
Observed by Lois
Gordon |
| Old Friends Reminisce |
Al Kalson |
| Briefly Noted...Queries |
|
| Production: Comments and Reviews |
|
| A Conversation with Carey Perloff,
Bill Moor, Peter Riegert, Jean Stapleton and David Straithain
after Matinee of Mountain Language and The Birthday
Party |
Susan
Hollis Merritt |
| A Master Class in Play Direction |
|
| Mountain Langauge and
The Birthday Party |
Francis Gillen |
| Book Reviews |
|
| Elizabeth
Sekallaridou: Pinter's Female Portraits |
Leslie
Kane |
| Volker Strunk: Harold Pinter:
Toward a Poetics of HisPlays |
Katherine H. Burkman |
| Ronald Knowles: The Birthday
Party and The Caretaker: Text and Performance |
Henry
I. Schvey |
| Anthony S. Abbott: The Vital
Lie: Reality and Illusion in Modern Drama |
Martin Esslin |
| Richard Allen Cave: New British
Drama in Performance on the London Stage |
Ann
C. Hall |
| Bibliography |
|
| Harold Pinter Bibliography, 1988-1989 |
Susan Hollis Merritt |
