| CONTENTS |
|
| From Chapter Ten of The Dwarfs
to Mountain Language: The Continuity of Harold Pinter |
Francis
Gillen |
| From The Dwarfs (unpublished
novel) |
Harold Pinter |
- Staging the Ideology Behind the Power:
- Pinter's One for the Road and
Beckett's Catastrophe
|
Judith
Roof |
- The Weasel Under the Cocktail Cabinet:
- Rite and Ritual in Pinter's Plays
|
Leslie
Kane |
| Pinter's Turtle Diary:
Text into Subtext |
Katherine H. Burkman |
| The Medieval Roots of Pinter's
A Slight Ache: The Matchseller as Fool |
Kelly Bellanger |
| The Beat Goes On: Sexual Politics
in Harold Pinter's The Lover |
Anne C. Hall |
| Production: Comments and Reviews |
|
| Keeping up the Mask: Some Observations
ofn Directing Pinter |
Carey Perloff |
| The Birthday Party |
Susan Hollis Merritt |
| The Birthday Party |
Bernard F. Dukore |
| The Room |
Anne Marie Drew |
| Mountain Language |
Martin Esslin |
| Book Reviews |
|
| Bert
O. States, Great Reckonings in Little Rooms: On the Phenomenology
of the Theatre |
Steven
H. Gale |
| Steven H. Gale, ed., Harold Pinter:
Critical Approaches. |
C. David Frankel |
| Bibliography |
|
| Harold Pinter Bibliography, 1987-1988 |
Susan Hollis Merritt |
